Why You Should Hire an Architect

2010 September 8
by squadron

An architect is a well qualified expert who has experience in planning, designing and the construction of buildings and the management of construction projects.

Also, one is not considered an architect until he or she has properly passed all the necessary education and accredited programs to procure a license in order to practice architecture. When practicing architecture, the architect can have freedom to design the building or group of buildings, as well as the space around it that still counts as part of the project. These ideas form the planning stage of the project and can take months to finalise.

The reason why architects are so important to the success of any building plan is simple: they can put your ideas into a feasible and concrete reality. If you have great ambitions for your home or business, then an architect can make sure that those visions will come true.

But aside from the actual design of the building, there are so many other complex factors (beyond the scope of inexperienced people) that need to be considered, and these are also covered in the responsibilities of the architect.

For example, there are some architectural firms that not only design the building for you, but they also prepare the tender documents for the pricing of the entire project, and are the ones that most commonly talk to the contractors, stakeholders and any third parties involved in the assignment.

When you engage an architect, you will not have to be confused by by all the small technical details. All you have to be concerned about is if whether or not the building is coming along according to the plans originally established with the help of the architect.

The architect is also very helpful before construction begins. If you do not have an actual plan but do have an idea on what you want your structure to look like, then that is where the professional can help you on the endeavor.

All you have to do is to present them with some ideas and they can be the ones to take care of site analysis, the assistance you may need in zoning and planning, any environmental impact studies you may need, tendering and contract negotiation with the contractor and his men, and so much more.

The architect that you hire will be involved in all of the aspects of your project. Essentially, you are hiring an architect because you require a trained professional to take charge of planning and designing the building or dwelling as well as provide the necessary feedback and support throughout the entire project.

Hiring an architect is like taking on a business partner for your project, one who is knowledgeable, knows the risk areas around the project and knows how to minimize those risks, has the necessary people skills to work with contractors in order to hire additional resources within budget.

A good architect will treat the project as though it is his or her own and will devise creative ideas and plans to the manager, and discuss in great detail the advantages, disadvantages, any hindrances of a particular strategy.

These are just some of the many important benefits and key reasons why you should use an architect. There are so many more reasons that really prove that any project worth going through with has to be under the supervision of a highly qualified architect. In the end, it all boils down to the fact that you have a dream construction project, and your architect is the person to make all these dreams become reality.

Looking for Brisbane architects? For renovation architects Brisbane, contact Dion Seminara Architecture. They are leading home improvement architects. Brisbane office is located in Morningside.

Tents and Marquees

2010 September 2
by squadron

marquees-pavillion-3Event Tents, such as wedding tents are used when you want to make a daring outdoor scene. They are generally structures installed at a location for a period of time.

Why A Tent?
Commercial Tents are used as protection from the sun, rain or a gathering place. They can make a stunning and creative atmosphere for any event.

Tent Rentals
Tents can be rented or leased for a day, a weekend, weeks, months, etc. For one or two day events, the Tents are usually installed a few days before the event, depending on scheduling and weather, and remain until a few days after the event. Many rentals are quoted for the entire week, allowing for time to set up and design the interior and exterior. Some Tents are built for exceedingly long-term events and have been installed and remain installed for years.

What Kind of Tent Should I Rent?
Tent rental companies come in all sizes – from small-sized companies with just a few Tents to exceedingly large-sized companies – carrying dozens of several sizes and styles of Tents. Some general rental companies rent from tent rental companies to accommodate their client’s needs.

You may know you want to use a standard Tent for your event, or your event planner may already have in mind to use a Tent. You have options! There are lots of other remarkable
structures and Tent styles out there. Some are unique and make a statement of their own. Ask the rental company you’re working with for a list of the type styles they have on hand.

Usually, the varying types of Tents available in most companies are (the names vary depending of the company):

Folding Tents Easy and fast to use and always in demand. Very popular, because usually is the less expensive tent. Fast, flexible, cost effective and long lasting.

They are used by:

  • Corporate brands across most industries
  • Government & Council buyers
  • SME business marketers
  • Franchisees
  • Agricultural exhibitors
  • Emergency services & community groups
  • Folding Tents create brand exposure opportunities.
  • You can reach your audience at the right time, in the right place with the right message.

Inflatable Tents An exciting and entertaining alternative Tent. Easy & fast to set up. Be sure they have removable printed roof because in that way you can share the investment with other licences.

What Size Tent Will I Need?

The size of Tent depends on a few factors:

1. The number of guests you expect
2. Layout or seating arrangements or the style of event:

* Reception with what type of tables?
* Speaker engagement with what type of seating?
* Will you need a dance floor?
* Will you need display areas for your products?

If you are interested in a Tent, you can expect to need about 2,000 – 2,500 square feet for 200-seated guests. That could mean a 40 x 60 size Tent (Always ask the Tent rental vendor directly and they’ll give you the best dataabout the size of Tent you’ll need).

Therefore, the key rule is; know what you are going to use your tent for. The choice of tents is incredible, almost on par with the choice of cars that you can buy.

So if you need a tent for the family BBQ, for example, your needs are fairly fundamental
and your budget may be tight. Look for cheap tents that offers a waterproof Polyester roof and a solid warranty for under $600.

If you need a tent for a school or sports club you will need a range of sizes, and colours. Most plain colour Tents s range between $995- $2900. If you are keen to advertise yourself, you can have your names printed for around $150-$300. Printing logos usually cost a little more.

In the last 5 years, portable Tents have become important to businesses for their marketing. The key need for these buyers is a prominent and identical reproduction of their logo. Sign written or printed Tents can be as dull as a website address or they can be a design extravaganza.

Remember, if it is for commercial purposes, the aim is to build recognition of your company with your printed Tent. Printed corporate Tents range in price from $1500- $4000. Good ones will really catch your eye.

Once you have decided on what sort of buyer you are and how you are going to use your Tents, a good Tents company will offer you a choice of frames, a warranty of between 3-5 years and help with designing the printing-if you need it.

For more information about tents, contact Extreme Marquees. We have a range of cheap tents, for all sorts of home and business applications.

New Zealand’s Top Holiday Cities

2010 August 23

New Zealand has a brilliant array of astounding landscapes. Like imposing mountain ranges, sweeping coastlines, lush rainforests, deep fiords, snow capped mountains and steaming volcanoes. These scenic wonders have all made New Zealand an inspired destination for all kinds of holidays.

Fantastic travel packages and holiday specials are available on quality accommodation in modern city hotels and luxurious wilderness lodges at reduced prices. Among the top holiday cities in New Zealand, Queenstown, Christchurch and Auckland would definitely be there. Travel Online is a distinguished online specialist travel operator and provides astounding tourist services for New Zealand. Travel Online provides an instant quote and booking service for accommodation in cities right across the country.

Queenstown
The international resort town of Queenstown is situated on the shoreline of Wakatipu Lake. This beautiful region is among the most picturesque locations on the globe. Throughout the year adventurous and exciting sports like jet boating, bungy jumping, and white water rafting take place. This town is the epicentre of the entire world’s bungy jumping activities too. With the advent of winter, the town gets transformed to an alpine wonderland with snowboarders and skiers from all corners of the world assembling at the annual Winter Festival.

There is constant request for Queenstown Accommodation all round the year and Travel Online offers a select group of hotels best suited for New Zealand holidays. 1, 2, 3 or 4 bedroom apartments, with cutting-edge facilities, gyms, spas and fantastic views are available at various holiday retreats across the city. Bigger apartments with more bedrooms, tennis courts, private jetties and fitness centres are also available at a higher price. Luxury complexes with studio rooms in the vicinity of cafes, bars, and restaurants are also found in Travel Online’ Queenstown Accommodation selection.

Christchurch
When choosing a place to stay in Christchurch look for hotels that give views over the beautiful Victoria Square, across the mesmerizing Avon River or towards the historic Anglican Cathedral. Situated on New Zealand’s South Island, this cosmopolitan city is always abuzz with colourful festivals, shopping spots, theaters and art galleries. Hotels overlooking Victoria Square provide visitors with an insight in to the city’s English history.

Individuals accommodated in the vicinity of the Christchurch Cathedral will find hotel rooms with a Manhattan-style feel. Tradition and elegance are everywhere in these hotels along with a keen eye on service excellence. Spacious bedrooms with full-fledged kitchen facilities are common, along with hi-tech conference facilities, resort-like leisure features like spas, saunas, gyms, and swimming pools. Many of these hotels provided by Travel Online are located in the vicinity of the Technology Park, the International Antarctic Centre, and the airport. Travelers who want to stay away from the hustle and bustle of the cosmopolitan life will find suitable accommodation in the radiantcountryside surrounding the city.

Auckland
Auckland, also known as the City of Sails, is situated in between 2 harbors and has more boats per person than anywhere on the planet. Within minutes a person has the choice of sailing away on yachts to isolated nearby islands, living the high life in the casino, surfing at endless beaches or tasting the exotic wines at local vineyards. Hotels come in stylish and comfortable studios, and spacious executive / marina suites. Travel Online caters to the tastes of corporate and business tourists and can beat any price seen on Auckland accommodation advertised. Auckland harbor is radiant, and is seen perfectly from atop Sky City and the surrounding accommodation.

Affordable and comfortable apartments are available for casual tourists, equipped with kitchens, laundries, and balconies to provide a fantastic holidaying experience. Visitors to Auckland love visiting the Antarctic Encounter, which showcases the only penguins present in the sub-Antarctic region. More adventures include cage-bereft shark dives, scuba expeditions and snorkel safaris. New Zealand is waiting.

Travel Online has a wide range of Queenstown accommodation close to all the snow action and cosmopolitan Christchurch accommodation surrounded by all that theatre and art. For holidays in and around the water, Auckland accommodation is as good as anywhere in the world.

Repairing Flooded Carpet: A cheap job is a good job right? Wrong….

2010 August 18
by squadron

Don’t have an unprofessional 24 hour carpet cleaner attempt to repair your water damaged carpets. These are the things you have to be careful of:

Overcharging. An inexperienced water restoration cleaner may pack the job up with unnecessary extras. E.g. using dehumidification for drying the flooded carpets when it is not needed.

Not having the correct equipment. They sometimes borrow equipment from hire companies for drying the carpet. This is all right, but an experienced water damage professional will have all their equipment so they offer a quicker response and hopefully a better value job.

Does not have a proper moisture metre. If they don’t have the right moisture meter, they can’t see when the carpet is dry enough. This furthers the danger of mould in future. Removal of the mould would then be required in the future.

Specialised. There are many “Carpet Cleaners” in this industry who do repair jobs on the “side.” i.e. they aren’t those who deal with this kind of work everyday. Be wary of that. Restoring carpets is an art. Taking carpet off the gripper strips then reinstalling them should be taken on by a professional, otherwise they can be damaged incontrovertibly.

You may be thinking, how do I locate a professional Flood Restoration techinician? Below I have set out some signifiers to look for when you hunt around for a carpet flood damage business:

The size of their Yellow Pages ad slot: This can indicate how much repair work they have already. A full-size Yellow Pages ad slot can cost around $50 000. If they have paid for a large ad, you can at least have some promise that they will deliver the goods.

Where do they show in Google? The higher they are in Google, the more “online votes” there has been for the business.

What Qualifications do they have? The minimum qualification they need is a IICRC qualification of Applied Structural Drying and Water Damage Restoration.

Do Insurance companies hire them for their own water damage jobs? This is a top indicator. If insurance companies source them, the business is bound to be excellent at their job. Insurance companies often use the providers that give them the best value for the money.

What Equipment do they have? They should own at least 100 Air movers. If they possess this many, this means they have been in the game for a good while. It took our business 8 years to build up that many wet carpet drying air movers.

What sort of commitment can you get out of them by calling on the phone? Ask if you can pin them down to a set rate for water extraction, water removal and initial inspection. If they can’t give you a package for this in the least, you know they are not interested in serving you, so go elsewhere.

Response Time – Our Water Damage Brisbane business operates to a 59 minute response time for water damage emergency. The business needs to be attended to ASAP. Mould can appear in a 24 hour period.

If you focus on these tips you are sure to choose a Flood Damage Restoration technician who knows what they are doing.

If you have carpet water damage Brisbane, call us for flooded wet carpet drying. Brisbane storm season is approaching and you may need storm damage carpet cleaning. Brisbane and surrounding areas serviced.

Podiatry as a Career in Australia

2010 August 13

As a practicing podiatrist in Brisbane, Australia, I am frequently asked by patients if podiatry would be a good career for a school leaver to contemplate . There are many things to recommend a career in podiatry including:

  • You can be self employed: This is a choice that is increasingly being denied to other health care providers such as optometrists and even General Practitioners . Big Business controls a lot of health practices. Consider how often you see an independent optometrist these days – can they compete on price with the multinational chains?
  • Legal Issues: In Australia (unlike the USA where things are very different), podiatrists very, very rarely get sued . The nature of podiatry practice does not lend itself to accidentally harming one’s patients. Also, you never have to give your customers the bad news that their condition will be terminal.
  • Working Hours: Emergency call outs are very unlikely. This is great news for those among us who like their sleep uninterrupted.
  • Financial Reward: Whilst it is true that podiatry doesn’t pay as well as being a dentist or doctor , the remuneration is generally commensurate with other allied health providers.
  • Instant Gratification: One of the most rewarding things about a career as a podiatrist is the instant gratification! People come in with pain and leave happy. You will consult on a plethora of bite-sized jobs each day, many with a cure you can provide immediately. From someone that has worked with unanimously grumpy customers in a past career, believe me when I tell you, it makes the day much less stressful when people leave you smiling.
  • Philanthropy: Podiatry will afford you a great deal of opportunity to help resolve the suffering of your fellow human beings.
  • Self – Determination: Podiatryallows a professional the power to determine their own course of action for the benefit of their patients. This is unlike a career in nursing for example where one acts under the direction of a doctor.
  • Clear Job roles: The only people who can work as a podiatrist are those with a podiatry qualification. The clear roles that this delineates relieves the requirement to find your ‘niche’ after university – as someone with a more generic Bachelor of Science degree might need to do.
  • Do you like to travel? There are many places in the world that do not qualify their own podiatrists including Tasmania, the Northern Territory, all of Asia and all of the Middle East. If you want to travel the world, Australian podiatrists can gain employment in any Commonwealth country and are especially in demand in Singapore, Egypt, United Arab Emirates and other far flung fields.
  • Variety: In any given day, a podiatrist will see a big range of complaints. There might be an ingrown toenail or two, an excruciating corn, a sports injury, some lower back pain and at least a couple of painful arches . The primary skill required in being a good podiatrist is to be an effective problem solver. Every patient is an individual with a unique condition requiring a well considered solution.

How do you become a podiatrist ?

To qualify as a podiatrist requires six Australian Universities:

  • Curtin University
  • La Trobe University
  • Charles Sturt University
  • Queensland University of Technology
  • University of South Australia
  • University of Western Sydney.

Last year, the entry score for the QUT was OP 8.

Stephanie Cosgrove graduated as a podiatrist from QUT in 1990 and with a Master’s degree in Applied Science (Podiatry) in 1996. Since 1991, she has worked in private practice as a Podiatrist Brisbane. She received three university prizes during her studies, including the award for excellence in design and manufacture of orthotics. Brisbane has been the site of her private practice since 1991 which has grown to four locations and eleven staff. If you want to Walk Without Pain consider a visit to Brisbane’s most innovative podiatry practice today. Call for an appointment now on 1300 A1 Feet.

Eight Steps to Great Web Design

2010 August 7
by squadron

Take control of getting your site conceived by a developer and understand the process it will save you money and aquire you a site that actually works the intended purpose!

1. Knowing your business and how you are currently established in your market.
In order to author a site that truly meets your requirements; you first need to have a full comprehension of your business including your products, and/or services and more importantly their market position. You then have to acknowledge how you want to explain your business and what it offers in 7 seconds or less. Sounds impossible? Well that is the average time that a user will consider the point “is this site I searched for?”.

2. Budget and estimation
Have a budget in mind and don’t be afraid to let the developers know what it is. In saying this: BE REALISTIC, $500 will never see a great web site created, nor will they be anything left in the bank to market it.

3. The creative process
Be armed with example sites and more importantly the elements of the site you like so they can acquire an understanding of what you would like to see on your site and also what you find frustrating about other sites. This will construct a good profile and realise not only what type of site to construct for you but your tolerance to colours, animations, layouts etc. for your requirements which will allow for fast development. The more interaction and information you allow them in the beginning the more time you will save everybody in the long run by achieving what you want 1st time round. Check with the designers on how many rounds of changes come with the contract, most will allow for a total conceptual redesign only once and 2 rounds of changes after that.

4. Production and Content
After the home page design is made, the developers will more than likely acquire the general layout of this concept and then create the inner page template. It is this template that will be duplicated for most of your pages for your site.
Provide your content in a pre-proofed word processed document; don’t become too creative with the document fonts etc. as these will not be preserved when the content is copied into the code of the site. It is inferred that you do use bolding, underlining, headings and sub heading though ,as these highlights are transferred into the site and are very important later on in not only interacting with the reader but for Search Engine Optimisation.
One last tip for content; present a decent amount of content but present it in a way that a reader may accomplish a summary of what you are trying to get across in the 1st couple of paragraphs and an image or to. The rest of the paragraphs that get into finer details ARE FOR GOOGLE !

5. Development Programming and CMS
If your website contains Content Managed Areas (CMS) or has any other dynamic sections the developers will wrap your design around a content management program such as Joomla or Drupal or they may have a custom built system. Make sure that you get to see how the CMS system operate on another site they have developed or an example site they may have. it is essential that you know that you can utilize and know the system when your site is complete.

6. Testing and training
We work closely with the developers to test your site especially if there are any CMS or special programs that have been made for you. You can guarantee if it is has just been written for you then it will not work 100% first time round. This is a where things can get ugly in the process you must understand the way the program operates and test it as if you were normal website user. If it doesn’t make sense to you, chances are it won’t make sense to your audience. Make sure you test your website on more than just your browser, try to test it on Internet Explorer, Firefox and Safari. All of these browsers are available to download on the internet for free!

7. Launch – going live
When the developers are ready to put your site onlive make sure you have finished the above testing step until you are pleased that this website is the best representation of your business / product it can be. Remember even though you can change things after going live it is still a poor reflection on your business if there are spelling mistakes or broken images when you launch.

8. Marketing
There is little point in having a website if nobody visits it, make sure as part of you contract you have discussed search engine optimisation and or search engine marketing as part of your website build. This is the absolute most important factor of the whole process. If you are the only one looking at your site then you are in trouble.

Remember Search Engine Optimisation is about 30% Onsite (getting your site correct for Search Engine to index correctly) and 70% Promotion. Any developer who tells you otherwise hasn’t been in the industry too long.

For more information about web design Brisbane, contact Web Site Blue. Our web designers understand marketing as well as design.

Tips to Creating a New Business Logo

2010 August 6

A logo is a imperative step to forming a business. It is the face of your business. And like your face conveys the tone of your business, gestures the service and screams the professionalism or lack there of.

People spend a lot of money on the formation of their logo and walk away with no artwork files. Then a couple months down the track when they need to put signage on their new building they cannot track the design studio down that formulated the original logo for them and so incur costs to have it redone. This is unnecessary and may cause complications when trying to replecate the logo exactly as completed originally.

We have created some basic tips you for to think about when creating a logo. Hopefully these will help you from experiencing any future difficulties.

Tip 1
First things first – you need to decide if you would like your logo to have an accompanying icon. It is suggested that if your service or product name is not in your business name then perhaps an icon will help in portraying a clear message across to your target audience.

An icon can add an extra element to your branding in that you could use the icon on its own on collateral where perhaps you are sighting for a more illustrative finish without losing recognition.

A good example of this is the well-known and executed Nike logo.

Tip 2
Colour can be an extremely important decision as it not only could affect the output costs but can also limit your output use. Consider the end result and what you will be putting your branding onto in the future. Make sure your designer is aware of this as they should design accordingly.

Tip 3
Ensure you get a back up disk of your logo as a master file and make certain that it includes all the files required for the different printing formats.

Creative software updates frequently and some programmes become obsolete. Insure you have a copy of your logo as a PDF – with the text converted to curves.

Tip 4
Using images in your logo is not very easy to regulate. For example it is difficult to reverse into black and white. Images also have limitations when it comes to size – they can only be reproduced to a certain size before they start pixilation.

Tip 5
Using gradients in your logo is not recommended. This too can have limitations when it comes to output for ie: gradients are hard to reproduce when embroidering fabrics.

Tip 6
Ensure sure the font is legible. Some logos need to be reproduced on small pieces of collateral ie: post stamps. It is important that in this case the text is
readable

Tip 7
Make sure that you acquire a copy of your logo in CMYK high resolution 300 dpi (for printing use) and RGB 72 dpi(for web use).

Tip 8
It is important to have a style guide of your logo. It will clearly show you how to use your logo so it looks exactly the same every time it is reproduced. This allows you to keep your corporate image consistent.

Tip 9
Make sure that you get a letter from the design studio declaring that you own the copyright to your logo.

If you follow these tips then not only will you accept a well-designed logo but you will also own the artwork. And when it comes to reproducing your collateral you will be doing it the most cost effective way.

For logo design Brisbane and web design Brisbane, contact graphic design Brisbane today for a free two hour consultation.

How to Create a Style Guide

2010 July 31
by squadron

How many times have you dispatched business cards to print and obtained yet another version of your corporate colour? Ever been frantic to see your advert in the latest newspaper and then noticed that the crucial tag line is missing or your logo has been wrecked.

There is only one way to stop this from happening and that is to use a style guide. Not only will a style guide aid you direct the reproduction of your logo – it will also help you fortify your brand recognition – which many argue is one of the strongest selling tools.

We have placed the below steps together for you as a starting point.

Step 1 : Mark the audience for your Style Guide. Is this for staff to work in-house or is this for suppliers and contractors to refer to?

Step 2 : Define what your output uses are. This is important because you will want different logos and file formats for example, black and white publication adverts in comparison to vehicle graphics.

Step 3 : Define the tone for the copy and content required. For example you may needcopy rules for printed content and then copy rules for website content.

Content rules cover all punctuation rules and how to attribute to the business and team.

Step 4 : Make certain you layout all the design templates so it is clear how and where the logo and branding lies on all the different pieces of collateral that may be repeated.

Step 5 : Ensure to insert any contributing logos or logos of business that are correlated with you. It’s also important that you deliver a copy of the layout to these companies to insure they approve the layout of their logo as they too may have their own Style Guide and hierarchy layout rules.

Step 6 : Make sure that grammar, spelling and contact details are correct.

Step 7 : Insure that when suppliers are using the Style Guide they understand~know~discern~apprehend} that a proof needs to be dispatched~sent~mailed~commissioned}to you to be confirmed as correct.

Get your Style Guide finished and as established as possible. Then have it saved in an email friendly file format and have a couple printed. Once this is done we strongly advise a training session – whereby your design studio comes in and trains your staff on how to utilize the Style Guide and most importantly your brand.

For graphic design Brisbane, logo design Brisbane and web design Brisbane, contact Bydaughters today. We help your brand build business.

Projectors: LCD Verses DLP (The downfall of DLP technology)

2010 July 19

The common question heard when acquiring a new projector for the home, office, or classroom is: should I get an LCD projector or a DLP projector? LCD, standing for ‘liquid crystal device’ and DLP, an acronym for ‘digital light processing’ are the two commonplace projector imaging technologies. With so many different brands and models available, it can be confusing for clients to pick between those technologies. The simple fact of the matter is that LCD projectors give better image quality and colour accuracy. The next part of this article explains why DLP projectors struggle with bringing up an equal rate of image quality.

It’s like a set of blinds in your room for your bedroom window. By a twist of a rod you can turn the shutters open or closed, according to if you want to let light in or not. Such is exactly how an LCD projector operates. Each pixel operates like an individual shutter on a set of blinds to either pass light through or to block it. DLP on the other hand is constructed of millions of microscopic mirrors or ‘pixel elements’ as experts like to call them. Each pixel element functions to either reflect light or block it.

How the light source is processed from the time the projector turns on to when the image reaches your screen is ultimately important in regard to image quality, brightness and colour accuracy. LCD projectors process white light from the lamp by splitting it into red, blue and green components, by three mirrors which direct the coloured light to 3 individual LCD panels. The 3 LCD panels create the elements of the image by processing each pixel on and off. The pixels are then simultaneously processed in a glass prism to send the projector image. An important point to realise about LCD projectors is that all three colours are directed onto your projector screen at the same time. The way a DLP projector functions is vastly different and even the way an image comes out is not the same. With DLP, white light from the lamp is directed through a spinning colour wheel with transparent red, blue and green segments, at speeds up to 11,000 rpm/s. This approach to making an image creates a sequence of red, blue and green light. The millions of micro mirrors as mentioned above reflect the coloured light on the pixels to construct the image elements. The elements of the image are projected in sequence on the screen, one colour at a time. The viewer’s eyes will then pull together each coloured element of the image into the single complete image. With LCD projectors, all colours are available all the time to create the best brightness and great colour accuracy. In DLP, only one colour is available at once, and so resulting in lower colour brightness and accuracy. Some DLP developers have placed a white segment for the colour wheel to improve all over brightness, but this then damages colour accuracy.

I hear in forums all the time that DLP gives a higher contrast ratio and as such must be better quality. For those who are uncertain, the contrast ratio is a measure of a display system defined as the ratio of the luminance of the brightest white to that of the darkest black that the system is capable of. DLP projectors do have high contrast specifications in comparison to a majority of LCD projectors. Initially, this seems to be a benefit, however, in reality, the true black level is determined by the ambient light in the room while the projector is utilised. Do not be hoodwinked by contrast specifications on websites and in brochures.

When the content you want to bring to life needs moving images, DLP projection technology can also have image marks, or ‘artifacts’. The most commonplace artifact that a DLP projector creates with moving images is colour break up. Colour break up is inherent in DLP systems because moving images change between the time red, blue and green colours are projected. LCD projectors do not have this disadvantage because every colour is processed at the same time. DLP developers have created 3DLP solutions using 3 chips to solve the colour break up problem, but the price tag of these projectors make them not practical for the majority of businesses and consumers.

Another point of difference between LCD and DLP is how they balance for the refractive qualities of light. Think back to high school science, and remember how various colours of light refract different amounts when directed through the same lens. The downfall with DLP projectors is that they have the one same panel with the same lens to project Red, Blue and Green. All 3 colours are obviously different and refract light in a different way. Usually with a DLP projector, some yellow colour will be projected above and some blue will show below something as simple as a straight black line. While being built LCD projectors can be set to take away these effects on the projected image, because each colour is refracted on isolated LCD panels.

The sole veritable benefit (excluding price) with buying a DLP projector is its smaller total size and weight. However, this is only relevant in regard to mobility and must be traded off against the image benefits of LCD projectors. If resulting picture quality is vital to you, then the solution is a no-brainer. Choose an LCD projector! LCD projectors will constantly make bright, colourful images with fewer image mistakes. If you need to know more about LCD technology in more detail, see this tremendous resource website: Explore 3LCD. If you have any further questions, get onto Projector Central and send me an email.

Jonathan King is the sales and marketing manager of Projector Central, Australia’s leading online retailer for projectors. Brisbane based, Projector Central has served Australia for 15 years. For data projectors in Brisbane and Interactive Whiteboards, contact Projector Central today.

Yachting and Yacht Clubs

2010 July 16

As the Dutch came to dominance in sea power during the 17th century, the early yacht had been a leisure craft used mostly by royalty and secondly by the burghers on the canals and then in the protected and unprotected waters of the Low Countries. Yacht racing was incidental, coming out of private challenges. English yachting started with King Charles II of England during his exile in the Low Countries. On his reaffirmation to the English monarchy in 1660, the city of Amsterdam presented him with a 20-metre (66-foot) leisure boat with a beam (maximum width) of 5.6 m (18 feet), which he then named Mary. Charles and his brother James, the duke of York (James II, reigned 1685–88), built more yachts and in 1662 raced two of them from the Thames, from Greenwich, to Gravesend, and back, on a £100 bet. Yachting was found to be fashionable with the affluent and royalty, but after that point the habit did not last.

The first yacht group in the British Isles, the Water Club, was instigated around about 1720 at Cork, Ire., as a cruising and unofficial coast guard group, and had much naval panoply and rigour. The closest thing to a race was the “chase,” in which the “fleet” pursued an imagined enemy. The club went on, for the large part as a social club, until 1765, and in 1828, after joining with other organisations, it became known as the Cork Yacht Club (later the Royal Cork Yacht Club).

Yacht racing was seen in some ordered fashion on the Thames in the mid-18th century. The duke of Cumberland instigated the Cumberland Fleet for Thames racing in 1775. When George IV rose to monarchy in 1820, it was known as the Fleet to His Majesty’s Coronation Sailing Society. The Thames Yacht Club seceded after a racing fight, to become the Royal Thames Yacht Club in 1830. The first English yacht society had been initiated at Cowes on the Isle of Wight in 1815, and royal patronage made the Solent – the strait between the mainland and the Isle of Wight – the continued setting of British yachting. The organisation at Cowes became the Royal Yachting Club, also at the accession of George IV. All members were required to have boats of at least 20 tons (20,321 kg). Sailing tests for large stakes were held, and the society life was lovely. It came to be that the Royal Yachting Club boats grew in size to over 350 tons.

In North America, yachting started with the Dutch in New York in the 17th century and persisted when the English held control. Sailing was largely for pleasure and rose to its apogee in George Crowinshield’s Cleopatra’s Barge (1815), which sailed on the Mediterranean Sea and set a minimum of luxury and elegance for the later yachts in the area from the late 19th century. The first persisting American yacht association, the Detroit Boat Club, was started in 1839. In 1844, John C. Stevens instigated the New York Yacht Club aboard his schooner Gimcrack.

Kinds of sailboats
Early sailing yachts were within the style of such naval craft as brigantines, schooners, and cutters from the 17th century through the latter half of the 19th century. The style of large yachts was initially largely affected by the win of America, which was designed by George Steers for a association headed by John C. Stevens, and it was the boat for which the America’s Cup (q.v.) was named after its victory at Cowes in 1851. Earlier yachts were not designed and manufactured in a contemporary sense, with merely a model being used. Not until the latter half of the 19th century did what was called naval architecture come into being. Not until the 1920s did the employment of the science of aerodynamics do for the structure of sails and rigging what it had done earlier for hulls.

Because most of all sailboats had to be individually manufactured, there arose a requirement for handicapping boats as this was before the one-design class boats were built. Thus, a rating rule was created, which resulted in the International Rule, accepted in 1906 and amended in 1919. In modern times, one of the most rapidly growing areas in the field of sailing is that of one-design class boats. All boats in a one-design class are manufactured to standard requirements in length, beam, sail area, and other elements (for an example of a two-person sailboat, see illustration). Racing between those boats can be done on an even keel with no handicapping required. A prime example is the uniform International America’s Cup Class adopted for participants in the 1992 America’s Cup race.

For the time that yachting was done primarily for the aristocracy and the wealthy, cost was no issue, and the size of boats grew, in both length and weight. The ascendancy and preference of smaller craft happened in the latter half of the 19th century out of the sailing of the Englishmen R.T. McMullen, a stockbroker, and E.F. Knight, a barrister and journalist. A journey around the world (1895–98) sailed single-handedly by the naturalized American captain Joshua Slocum in the 11.3-metre Spray demonstrated the value of less sizeable craft. Thereafter in the 20th century, notably after World War II, smaller racing and leisure boats became more popular, down to the dinghy, a favourite training boat, of 3.7 m. In the late 20th century, boats of less than 3 m were setting sail single-handedly across the Atlantic Ocean.

Kinds of power yachts
After the decade 1840–50, when steam started to take the place of sail power in commercial craft, the steam engine, and later the internal-combustion engine, were increasingly used in personal yachts. Sizeable power yachts were progressed to a high element, and long-distance sailing turned into a preferred occupation of the affluent. The earliest power yachts were paddle-wheel boats; these then made way to yachts powered by the wholly submerged screw or propeller type of propulsion. Like naval and merchant boats, auxiliaries possessing both sail and power were the yacht standard for several years. By the second half of the 20th century, many yachts were still auxiliaries, but the large part were only power yachts that had gasoline or diesel engines.

During the last decade of the 19th century there was a push in the construction of bigger steam yachts. In particular among these was the Mayflower (1897) of 2,690 tons, that had triple-expansion engines, twin screws, and a compartmented iron hull, and was manned by a crew of over 150. The Mayflower, commissioned by the United States Navy in 1898, was the official yacht of the president of the United States until 1929 and saw active service for World War II.

As more sizeable and more dependable internal-combustion engines were developed, many big craft were using them for power. The development of the diesel engine, with heavy oil for fuel, advanced for World War I. During the decade following that, large power-yacht building grew, reaching a climax in the Orion (1930) at 3,097 tons. During that point the best auxiliary yacht built was the four-masted, steel, barque-rigged Sea Cloud (1931) of 2,323 tons.

The construction of larger power boats lessened in 1932, and the style after that was in preference of smaller, less expensive yachts. From World War II, lots of small naval boats were sold to private owners for conversion to yachts. In the late 20th century, yachting is a globally loved activity enjoyed by thousands of yachtsmen individually sailing and maintaining their own small recreational boats. The number of boats and yachtsmen increased steadily, not only in the traditional locations along the seacoasts but also on inland waterways and lakes.

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